The Test outlines a public art project developed by ROARAWAR FEARTATA titled The Crossing, undertaken as part of Melbourne City Council’s 2019 Test Sites program. Drawing on the figure of the ferryman from Hermann Hesse’s Siddhartha, as well Henri Lefebvre’s concept of Rhythmanalysis, this project sought to occupy the everyday practice of the pedestrian crossing, utilising the position of the artist within this everyday practice to develop a methodology for conducting a rhythmanalysis of public space. Through the process of performative adventure and the reading of rhythms, the project aimed to strategise a process for art to participate in the practice of the everyday whilst maintaining the tension of the question: “how will we know what it is that we are doing?”
The Test: “how will we know what it is that we are doing?”
Abstract
Published: 2019-11-30
Pages:129
to 140
Section:
RMIT University: Master of Arts (Art in Public Space)
Available Formats
How to Cite
Cittadini, B. and Peade, C. (2019) “The Test: ‘how will we know what it is that we are doing?’”, The Journal of Public Space, 4(3), pp. 129-140. doi: https://doi.org/10.32891/jps.v4i3.1225.
Article Keywords:
References
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De Wandeler K and Dissanayake A. (2013). Cities, People Places Rhythmanalysis as a tool for understanding shifting urban life and settings Exploratory research in Brussels and Colombo.
Edensor T. (2010). Walking in rhythms: place, regulation, style and the flow of experience. Visual Studies 25: 69-79.
Goonewardena K, Kipfer S, Milgrom R, et al. (2008). Space, Difference, Everyday Life: Reading Henri Lefebvre: Taylor & Francis.
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Massumi B. (2011). Semblance and Event: Activist Philosophy and the Occurrent Arts: MIT Press.
Read A. (1993). Theatre and everyday life: an ethics of performance., New York: Routledge.
Roberts J. (2006). Philosophizng the everyday, London: Pluto Press.
Roberts L. (2015). The Rhythm of Non-Places: Marooning the Embodied Self in Depthless Space. Humanities 4: 569-599.
Simpson P. (2012). Apprehending everyday rhythms: rhythmanalysis, time-lapse photography, and the space-times of street performance. Cultural Geographies 19: 423-445.
De Wandeler K and Dissanayake A. (2013). Cities, People Places Rhythmanalysis as a tool for understanding shifting urban life and settings Exploratory research in Brussels and Colombo.
Edensor T. (2010). Walking in rhythms: place, regulation, style and the flow of experience. Visual Studies 25: 69-79.
Goonewardena K, Kipfer S, Milgrom R, et al. (2008). Space, Difference, Everyday Life: Reading Henri Lefebvre: Taylor & Francis.
Hesse H. (1988). Siddharta, London: Pan Books.
Lefebvre H. (1991). The production of space, Oxford: Basil Blackwell.
Lefebvre H. (1996). Writings on cities, Cambridge, Mass: Blackwell.
Lefebvre H. (2004). Rhythmanalysis: Space, Time and Everyday Life, New York: Continuum.
Massumi B. (2011). Semblance and Event: Activist Philosophy and the Occurrent Arts: MIT Press.
Read A. (1993). Theatre and everyday life: an ethics of performance., New York: Routledge.
Roberts J. (2006). Philosophizng the everyday, London: Pluto Press.
Roberts L. (2015). The Rhythm of Non-Places: Marooning the Embodied Self in Depthless Space. Humanities 4: 569-599.
Simpson P. (2012). Apprehending everyday rhythms: rhythmanalysis, time-lapse photography, and the space-times of street performance. Cultural Geographies 19: 423-445.