Since the Arab spring in 2011, public space and public art have been progressively central to urban planning and design literature. The recent social movements and reform discourse in the Sudanese cities exhibit that public space and public art have come to the fore in the civil uprising of December 2018 and its associated sit-in space. While many studies have examined public spaces in Khartoum, only a few have looked at them from the perspective of activism and public art. Yet, the post-2018 uprising has rendered these topics critical and compelling to researchers. This research reflects upon the transformation and events in the Khartoum sit-in space during the December uprising. Our article aims to document and analyse the public art and graffiti presented in the sit-in space in Khartoum. This research tries to answer two main questions: What role does public art and graffiti play in the revolution? Moreover, how does this role influence the quality of public space in general and the sit-in space in particular? The methodology used in this article includes direct observation, interviews, and follow-up of written and photographic material from the sit-in space and online and written resources. The results exhibited in this article show that public art and graffiti played five significant roles in the sit-in space. Public art also transformed the sit-in space aesthetics and the conception of public art and how it is produced and consumed.
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